Between micro and macro. Between the familiar and the unknown. Through the transformation of structures, floating forms emerge and continuously evolve. They evoke planets, organisms or microscopic worlds without ever settling into a single reading. The Planets body of work developed from my observation of natural structures and processes.. It begins with lines, grids, movements and systems of order that are digitally constructed, shifted, condensed and dissolved. What begins as something controlled gradually develops a life of its own. Scale begins to shift. Micro becomes macro, structure becomes landscape, surface becomes space. Depending on perspective, movement and time, what we believe we recognise begins to change. The familiar can become strange – and the unfamiliar suddenly familiar. The Planets are therefore less images of another world than open spaces of perception. They move between digital construction and organic appearance, between order and dissolution, control and chance. From this process, different states and media emerge – animation, light, print and painting – giving rise in turn to further bodies of work and fields of exploration.