Creation Process of Planets and Monsters
The works “Planets” and “Monster” by Christoph Pauschenwein meticulously explore the potential and limitations of digital image processing. In the "Planet" series, the artist creates a paradoxical materiality through the layering of digital lines: the depicted celestial bodies oscillate, appearing simultaneously hard and soft, organic and artificial. Pauschenwein's approach is characterized by careful preliminary work in the form of sketches and color studies, which are then translated into digital execution. The deliberate omission of artificial intelligence highlights the artist's craftsmanship and experimental approach. The presentation of the works in black frames alludes to the tradition of the Old Masters in painting and emphasizes the chiaroscuro of the digital images. Pauschenwein’s “Planets” are not just digital constructs but also invitations to a sensory experience that merges the boundaries between physical and digital reality. The works invite contemplation on the nature of reality and illusion, and the relationship between humans and the cosmos.


Dr. Alexander Rácz
Certified art expert
The planets form an oscillating universe – a distant view into an unknown galaxy. These are digital constructs that transform from a distance into what seems like organic objects, even taking on a fluffy character. With these objects, I aim to give viewers the opportunity to immerse themselves in a positive, alternative world and provide a basis for constructive discussions.
The friendly neighbours from a foreign galaxy are an imaginative component of the oscillating planets. They act as ambassadors and build bridges among various cultures of the universe. The scenography, lighting, and classical picture frames are an homage to the old masters of painting.
At the beginning of the digital creation process, I start with sketches and create color compositions. For the implementation, I use software like Cinema 4D, Adobe Photoshop, Illustrator, and InDesign. I consciously avoid using AI. Craftsmanship is of high priority to me, ensuring that the human element remains central in the creation process.





In the “Monster” series, Christoph Pauschenwein expands his formal vocabulary and presents a fascinating juxtaposition of organic form and digital aesthetics. The depicted beings, which show a formal affinity with the celestial bodies in the "Planets" series, combine elements of the cute and the strange. Their furry bodies and large eyes create a sense of familiarity, while their sneaker-clad feet provide a surprising contrast to the organic overall appearance. The staging of the works in antique frames underscores the tension between playful digital design and classical presentation form. Pauschenwein’s “Monster” are a reminder that the unfamiliar is often the most fascinating.

Dr. Alexander Rácz Certified art expert
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