The archive brings together works that are no longer at the centre of my artistic practice, but remain part of its development. Analog and digital works reveal different stages, experiments and shifts within an ongoing process. Some approaches were continued, others transformed or left behind. Forms, structures and questions reappear later in new contexts. In this way, it becomes visible that bodies of work do not emerge in isolation, but respond to one another and develop from earlier experiences. The archive is therefore not intended as a retrospective of completed work, but as a collection of traces: a space in which developments remain visible and connections to my current work can be recognised.